California love, indeed
So, in the war of Biggie vs 2pac, I think I come down on the side of Biggie. But just barely. And I generally don't make that information public since CA > NY. And to cover my ass, here's this video.
This is another one of those bands that didn't click with me the first time I read through this book about a decade ago. I wasn't quite ready for the "classic rock-informed popsongs buried under a thick veneer of hardcore/noise" style of the 'Dü. And you know what, they're still only a band I'm just getting into. But I will definitely recognize their importance to the things I am already into. Like Mission of Burma, they took a snotty punk attitude and showed the music world that punk and songwriting could be fused, and their more mature take on this new kind of music helped give birth to "college rock" and, thus, a million other bands I adore. They were also one of the first indie bands to jump over to a major label which helped establish a mass appeal to "non-mainstream" music (but also gave rise to the ages-old debate of indie bands "selling out.") But, I'm sure we'll discuss this band further when I get a better grip on 'em. And, as with the rest of these bands, I'll be doing a feature on them at some future radio show. If you have a favorite, please suggest it. I want to play your favorite songs.
Like Black Flag, Minor Threat is one of two sort of "straight ahead, no fucking around" punk bands on this list. Granted, Minor Threat were just better at it than the rest. You listen to a song like "Out of Step," and sure it's got the hardcore hallmarks in it (hell, it invented those hallmarks), but it's just got that extra something that elevates it above so much stuff that sounds just like it.
When I originally bought Our Band Could Be Your Life years ago, when I was first getting into college radio and wasn't the paragon of musical knowledge I am now, I ended up buying a lot of the albums by the bands profiled in the book. Azerrad writes about all of them so passionately, and makes them such cornerstones in independent music that it makes you want to learn more. For Mission of Burma, I bought their EP "Signals, Calls, and Marches." And while I liked one or two tracks on it, it didn't click with me like Black Flag or Beat Happening did. But that's because those bands are immediate. Black Flag writes straight ahead punk songs, and Beat Happening is pure, sloppy pop joy. Mission of Burma, though, are far more challenging and arty, penning songs about celebrities of the Dadaist movement and making references to lesser-known Philip K. Dick novels. Beyond simply the lyrics, the music is less pop/rock-centric, relying on liberal tape-loop use in the live setting, and being more angular and accomplished, musically. But, of course, under the "art" lies pop sensabilities. Mission of Burma just made you work for them. And that IS a cornerstone of the independent music scene: bands that will challenge listeners, not just lay out simple poptunes for easy digestion. Playing hard to get is always a turn-on, right?Charlie Parr: Mastodon from thinfilms on Vimeo.
One of the big points that OBCBYL (named after a Minutemen lyric, for the record) makes is how independent music, and these bands it contains profiles on, pioneered the idea that just regular folks could be in bands and release albums. But a lot of other bands still felt like rock stars. Look at a picture of Henry Rollins from Black Flag. Dude's still all ripped and good-looking and above average. The Minutemen were, by their own description, "fucking corndogs." Fat, goofy, nerdy, working class dudes. But dudes who really stood up for what was right, politically, lived/played/toured economically soundly ("jamming econo," as they say), and just kind of inhabited that admirable populous stance. They weren't punk in dress or style, they were punk in their heart. True punk. Their music was whatever they wanted it to be, and that was often challenging to the thuggish, fast/loud spirit of punk. But everyone loves a dorky underdog, right?I'm probably going to be doing one of those on-air radio "salutes" per week, so the Minutemen will have to wait until next week. But, if there's any choice cuts you want to hear, feel free to let me know.
Maybe I'm a little impressionable, but I tend to get really into whatever I'm reading about. I just finished a book about Shakespeare, and I got really into Shakespeare (perhaps you heard me playing the band Titus Andronicus on Thursday night. See?). When I read The Electric Kool-Aid Acid Test, I just really wanted to do acid (I still have not, for the record). But, right now, I just kind of think Black Flag totally rules. Early-to-mid-career Black Flag, anyway. Last night, while drinking, I had a burning urge to start a Black Flag cover band with Matt from Dash Jacket, so we'll see if that happens.
It's just something about the total intensity/fury of the thing that gets me. I know a lot of metaldudes will use the word "brutal" to describe music they especially like, but that never really clicked with me. I like some metal, but the punishing aspect of it doesn't really do it for me. However, good punk has a real intensity to it that DOES do it for me, and I truly think there is no better song to illustrate that point than "Rise Above."
Anyway, look for a little salute to Black Flag on the show this Thursday. If you have any songs you'd like me to play in particular, let me know (they just have to be clean).

Happy Friday, folks,
Everyone recovered from yesterday's festivities? One too many Irish Car Bombs? Whatever you ended up doing, I hope it was free of injury and permanent reprecussions. Because I like you. I'm a sweetheart that way.
Anyway, here's what I played last night (complete with all-Irish first hour...with one or two covers of Irish band songs).
Things that Are Square 3-17-11
(*) = New release
****St. Patrick's Day Power Hour****
Passion Pit - Dreams - Manners
Calla - Promenade - Scavengers
O Emperor - Po - Po
The Moondogs - Who's Gonna Tell Mary? - That's What Friends Are For
Autobop - Advertising - Secret
sMy Bloody Valentine - Sometimes - Loveless
WE ARE LOSERS - Empty Head - We Are Losers
Stiff Little Fingers - Alternative Ulster - Inflammable Material
The Pogues - Transmetropolitan - Red Roses for Me
Flogging Molly - The Worst Day Since Yesterday - Swagger
Bank Robbers - On My Mind - On My Mind
The Divine Comedy - To Die a Virgin - Victory for the Comic Muse
**** Resume non-Irish programming***
(*) Parts & Labor - Rest - Constant Future
(*) Yuck - Georgia - Yuck
Titus Andronicus - A More Perfect Union - The Monitor
(*) Akron/Family - Light Emerges - S/T II: The Cosmic Birth and Journey of Shinju TNT
Owen Pallett - Game of Pricks - AV Club Undercover
(*) Chain and the Gang - (I've Got) Privilege - Music's Not for Everyone
Suicide - Ghost Rider - Suicide
(*) Woodsman - All the Cards Fell In Place - Rare Forms
The Books - Smells Like Content - Lost and Safe
The Blow - True Affection - Paper Television
(*) J Mascis - Not Enough - Several Shades of Why
Boredoms - House of Sun - Seadrum/House of Sun

People!
I haven't done a full two-hour show in months! I am so happy to be back on the radio, full force, playing sweet tunes for you guys. Few things make me happier in this world. I hope you like this stuff half as much as I do. Well, I hope you're liking it as much as I do, but half is still a lot, is what I'm trying to say.
Anyway. The stuff I played:
Things that Are Square 3-10-11
(*) = New release
The Mountain Goats - There Is Power in a Union - Unreleased
(*) Wooden Wand - I Wanna Make a Difference - Death Seat
The Moldy Peaches - Jorge Regula - The Moldy Peaches
Jens Lekman - If You Ever Need a Stranger (To Sing at Your Wedding) - When I Said I Wanted to Be Your Dog
Mirah - Sweepstakes Prize - You Think It's Like This But Really It's Like This
Yo La Tengo - Our Way to Fall - And Then Nothing Turned Itself Inside Out
The Antlers - Kettering - Hospice
Alexander "Skip" Spence - Little Hands - Oar
(*) Brown Recluse - Impressions of a City Morning - Evening Tapestry
(*) Chain and the Gang - Detroit Music - Music's Not for Everyone
The Fall - Victoria - 50,000 Fall Fans Can't Be Wrong
Nick Cave and the Bad Seeds - Red Right Hand - Let Love In
(*) Woodsman - Insects - Rare Forms
Mi Ami - Dreamers - Steal Your Face
Television - See No Evil - Marquee Moon
Ponytail - Die Allman Brüder - Ice Cream Spiritual
(*) Akron/Family - Silly Bears - S/T II: The Cosmic Birth and Journey of Shinju TNT
(*) Destroyer - Savage Night at the Opera - Kaputt
Françoise Hardy - Suzanne - Comment Te Dire Adieu
France Gall - Laisse Tomber Les Filles - Poupée de Cire ,Poupée de Son
(*) A Hawk and a Hacksaw - Üsküdar - Cervantine
(*) Yuck - The Wall - Yuck
Weed Diamond - Mint In My Mouth - Carry On
Misfits - Skulls - Walk Among Us
No Age - Everybody's Down - Weirdo Rippers
(*) OFF! - Jeffrey Lee Pierce - First Four EPs
Beat Happening - I Spy - 1983-85
Mission of Burma - That's When I Reach For My Revolver - Signals, Calls, And Marches
Power In A Union from JD on Vimeo.